Add to ORKGThis chapter explores the ways in which the images used and produced within criminology have long been 'haunted'. In this piece, we examine the ways in which notions of (in)visibility have shaped the construction of crime and the criminal 'Other' within the social imaginary. The chapter's innovation lies in its development of Walter Benjamin's 'dialectical image' to 'conjure a ghost' and apply Derrida's notion of hauntology to ecological crimes that span time. This presents a new and vital conceptual framework to examine this important area
Narratives that resonate in the cultural imagination inform the ways in which we apprehend the world...
This chapter seeks to integrate and extend two emerging areas in criminological thought—green cultur...
In my thesis I seek to address the visual history of mapping criminality, or aberrance more broadly,...
This chapter is an effort to understand how haunting is a core feature of social life, mediating the...
Like all researchers, criminologists are engaged in a process of making things visible. That is, we ...
Like all researchers, criminologists are engaged in a process of making things visible. That is, we ...
The haunting effects of crime, violence, and death in our history, memory, and media spaces From ...
This paper sets out an analytical framework for using ‘hauntology’ to read the spatialised imprint o...
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminolo...
In increasingly mediatized cultures it is essential that criminologists develop more sophisticated u...
Our century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hau...
This book is a groundbreaking attempt to rethink the landscapes of the social world and historical p...
Criminology has long sought to illuminate the lived experience of those at the margins. More recentl...
This book is a groundbreaking attempt to rethink the landscapes of the social world and historical p...
This paper addresses the extent to which the ‘narrative turn’ in criminology can help inform how ima...
Narratives that resonate in the cultural imagination inform the ways in which we apprehend the world...
This chapter seeks to integrate and extend two emerging areas in criminological thought—green cultur...
In my thesis I seek to address the visual history of mapping criminality, or aberrance more broadly,...
This chapter is an effort to understand how haunting is a core feature of social life, mediating the...
Like all researchers, criminologists are engaged in a process of making things visible. That is, we ...
Like all researchers, criminologists are engaged in a process of making things visible. That is, we ...
The haunting effects of crime, violence, and death in our history, memory, and media spaces From ...
This paper sets out an analytical framework for using ‘hauntology’ to read the spatialised imprint o...
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminolo...
In increasingly mediatized cultures it is essential that criminologists develop more sophisticated u...
Our century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hau...
This book is a groundbreaking attempt to rethink the landscapes of the social world and historical p...
Criminology has long sought to illuminate the lived experience of those at the margins. More recentl...
This book is a groundbreaking attempt to rethink the landscapes of the social world and historical p...
This paper addresses the extent to which the ‘narrative turn’ in criminology can help inform how ima...
Narratives that resonate in the cultural imagination inform the ways in which we apprehend the world...
This chapter seeks to integrate and extend two emerging areas in criminological thought—green cultur...
In my thesis I seek to address the visual history of mapping criminality, or aberrance more broadly,...